Artist Interview – Sue Reno

Sue Reno and Wendy Edsall-Kerwin in front of her piece, Silk Mill #3
Sue Reno and Wendy Edsall-Kerwin in front of her piece, Silk Mill #3

This installment of the Art of the State Artist Interviews series features the State Museum Purchase Award winner, Sue Reno. Sue is a fiber artist who works with cyanotype and other surface design techniques in creating art quilts reflecting her surroundings in bucolic Lancaster County, PA.  (Plus she has good taste in jewelry) You can find her online at her website, her blog, and on Facebook. And of course you can see her piece, Silk Mill #3 at the entrance to the Art of the State: Pennsylvania 2013 exhibition at the State Museum of PA in Harrisburg.

I also want to point out that she will be participating in the Artist Conversations series at the exhibition on Friday July 19th at 6:30pm (free admission)
 

1. How did you get started in your craft?

I’ve been sewing since I was a small child, and have made everything from tailored clothing to slipcovers to contemporary hand-sewn quilts. Over time I began to narrow my focus to making art quilts, and worked on learning and refining surface design techniques used to transfer imagery onto textiles. Once I started making cyanotypes I never looked back.

2. What has been inspiring/influencing your work lately?

I’ve got twin passions at the moment. One is the Susquehanna River, which I’ve lived near for most of my life. I’ve started working with a needlefelting machine to construct intricate layered elements of the river and surrounding landscapes, which I then incorporate into a quilt. I’ve completed one, In Dreams I Flew Over the River, and have several more in the works.

In Dreams I Flew Over the River ©2013 Sue Reno, 54"h x 43"w
In Dreams I Flew Over the River ©2013 Sue Reno, 54″h x 43″w

The other passion is an ongoing fascination with the small, and not so small, mammals that I share my suburban lot and surrounding woods with. I’ve been collecting skulls, which fascinate me with the intricacy of their design and the elegance of the way their dentition fits their diet. I photograph the skulls with macro detail and use the images to make cyanotype prints. I then combine the cyanotypes with monoprints of plant life and vintage textiles. Some examples are Skunk and Garlic Mustard:

Skunk and Garlic Mustard ©2012 Sue Reno, 50”h x 51”w
Skunk and Garlic Mustard ©2012 Sue Reno, 50”h x 51”w

And Squirrel and Locust:

Squirrel and Locust ©2011 Sue Reno, 47”h x 37”w
Squirrel and Locust ©2011 Sue Reno, 47”h x 37”w

I’ve got several in various stages of construction in the works, and I feel like with each one I’m drilling down closer to where I want to go with the series.

And wonder of wonders, I was recently on vacation in Minnesota, and wandered into a tourist shop in Duluth. In the back, in a cabinet, they had some skulls for sale that I hadn’t been able to obtain before—a badger, a beaver, a mink and more! I can’t wait to start working with them.

3. Who are your favorite artists in your field?

Fiber art is a very exciting field to be involved in right now, and I have a lot of friends and colleagues who are doing really groundbreaking work. For a quick overview, check out the SAQA (Studio Art Quilts Associates) website. A few personal favorites would include:

Kristin LaFlamme, for thought provoking work including “The Army Wife” series

Allison Aller, who is updating the traditional art of crazy quilting in a wonderful way

and Kathy Nida, whose intricate and fascinating drawings form the basis for her art quilts. (Because she is a middle school teacher, and some of her work contains nudity, her site is password protected—don’t let that stop you if you are over 18.)

What I love about all three of these artists is that they are storytellers and also straight up truth-tellers, who let their unique voices shine through in their work.

4. What is your favorite customer quote or story?

Watt & Shand #4 ©2009 Sue Reno, 50”h x 52”w
Watt & Shand #4 ©2009 Sue Reno, 50”h x 52”w

When I was showing my series of Watt & Shand quilts, a lot of people who came to the opening told me stories about their memories of the building from when it was a department store. One man shared how his father, a Greek immigrant, got his start in this country selling peanuts on the sidewalk outside. Several talked about the gifts from their wedding registries, and eating in the restaurant. The best was a woman who pointed to a particular window in one of my images, which used to look out from the lingerie department, and recalled with humor her extreme embarrassment at shopping there as a young teen with her mother. I loved that my work was able to spark this kind of storytelling.

5. What is your favorite piece of art or fine craft that you own?

I have a small collection of functional ceramic pieces by fellow PA Guild of Craftsmen member Angela Shope.

They are a pleasure both to use and to display. I love her color sense and the dynamic tension of her work. Her patterning walks that fine line between chaos and control, and her imagery is fun and whimsical yet sophisticated.

And allow me to add an endorsement for your wonderful work, Wendy. I love the fold formed silver cuff I bought from you last fall, and wear it all the time. {Thanks, Sue!}

Contemporary Threads and Home at Last

© Deena Ball

This weekend was full of art events! Harrisburg Gallery Walk was yesterday (there will be a future blog post on the Artist Conversations talk at the Art of the State exhibition), the PA Guild opened its first exhibition at their new Center for American Craft, and Marietta Art House opened it’s fiber-filled Fall with Contemporary Threads.

Friday night I worked at the Guild store and saw the huge turnout for their new exhibit. The show is Home at Last and features work by Guild craftspeople addressing the theme of home. Some took this literally, depicting houses in cut paper, hooked rugs, photographs, and clay. A number of artists translated the idea through birds nests, and others went purely abstract or made objects for the home.

©Sharon Bartmann

It’s a fabulous show and encompasses the full range of guild crafts from functional to traditional to contemporary. It will be up through December 1st and I definitely recommend it if you are in the Lancaster, PA area.

Sunday I spent most of the afternoon in Harrisburg, but I made a special effort to also stop by the opening for Contemporary Threads in Marietta, PA. I knew a number of the artists who were invited to participate (some of whom also have work in the Guild show) and I wanted to see the mix of different regional fiber artists. This show also runs the gamut of styles of fiber work – weaving, quilting, felting, assemblage, contemporary, and traditional. It was interesting to see such divergent styles curated together. Even with these differences, the exhibition works as a whole.

Watt & Shand #1 ©2010 SueReno
Digital prints on cotton, artist-painted and commercial fabrics, machine stitching. Size: 47″h x 57″w

Sue Reno has a few of her Watt & Shand series (the series her pieces at last year’s Art of the State and CraftForms exhibitions came from) and I loved the large one over the mantle that was really angular and had a lot of scaffolding images – not really what you’d picture on quilted fabric. Roberta Little had a lovely mixed media wall hanging featuring detritus loosely woven together. There were wearable items, pillows, and wall hangings, even sculptures. Asian inspired, colorful, monochromatic, themes of nature, even metal wire! It was really amazing. Unfortunately I go there pretty late in the day and I wasn’t able to take my time and really appreciate it. I’ll have to go back again sometime during the week.

Contemporary Threads runs through December 22nd and on October 21st there will be an opening for Part II of this exhibition featuring new works, a demo, and a talks. There is also a Fiber Bazaar planned for November 18th and the exhibition will be on the Marietta Candlelight Tour on December 2nd.